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Day 1: Thursday 5th December - University of Exeter Flipbook PDF
Day 2: Friday 6th December Translation and Antiquarianism in the Renaissance Elena Nicoli (Radboud University Nijmegen)
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AMPRAW 2013 Timetable Day 1: Thursday 5th December TIME
ROOM
ACTIVITY
DESCRIPTION
9.00 – 9.20
QB – SCR
Registration
9.20 – 9.30
QB – LT1
Welcome Talk
9.30 – 10.15
QB – LT1
Guest Speaker
10.15 – 10.45
QB – SCR
Refreshment Break
10.45 – 12.45
QB – LT1
Panel
Rome on the Big Screen
OL – 130
Panel
The Trojan War
12.45 – 13.45
QB – SCR
Lunch
13.45 – 15.15
DH – M&D
Panel
Tragedy, Transgression and Sexuality
OL – 130
Panel
Violence and Enslavement
15.15 – 16.00
OL – Café (BDC)
Refreshment Break
Bill Douglas Centre Exhibition
16.00 – 17.00
DH – M&D
Keynote Speaker
Maria Wyke
17.00 – 17.30
DH – Kitchen Deli
Wine Reception
17.30 – 19.30
DH – M&D
Film Screening
20.00 – 22.00
ASK, Exeter
Dinner
Aaron Irvin, Historical Advisor of Spartacus
Day 2: Friday 6th December TIME
ROOM
ACTIVITY
DESCRIPTION
8.30 – 9.00
QB – SCR
Registration
9.00 – 11.00
QB – LT1
Panel
Translation and Antiquarianism in the Renaissance
OL – 134
Panel
Caesar, Tyrants and the Late Republic
11.00 – 11.30
QB – SCR
Refreshment Break
11.30 – 13.30
QB – LT2
Panel
Classics in Modern Media: Alexander and Ireland
OL – 134
Panel
Novels, Authors and Adaptation
13.30 – 14.30
QB – SCR
Lunch
14.30 – 15.30
QB – LT2
Keynote Speaker
Christopher Stray
15.30 – 16.30
QB - SCR
16.30 – 18.00
DH – M&D
Workshop & Refreshments Panel
Receiving Euripides
QB – LT1
Panel
Greek Ethnicity and Identity
18.00 – 19.00
QB – LT2
Keynote Speaker
Edith Hall
19.00 – 20.30
QB – Café
Wine Reception with Music and Theatre
AMPRAW 2013 Panel Details
Day 1: Thursday 5th December:
Rome on the Big Screen Jen Cresswell (Edinburgh) – The Set Design of Quo Vadis: The Influence of Hugh Gray (‘Indiana Jen and the Raiders of the lost archives’) Dan Goad (Royal Holloway) – The Changing Role of Romans in Hollywood Emily Lord-Kambitsch (University College London) – ‘Beauty to be tamed! Does it not thrill you?’: Emotionality, Masculinity, and Imperialism in Fred Niblo’s Silent Ben-Hur Chris Davies (Exeter) – Rome on the Range: The Influence of the Western on Post-9/11 Roman-Britain Epic Films
The Trojan War Matthew Skuse (Exeter) – Heroism in Images of the Trojan War Tom Peaple (Birmingham) – Troy (2004) and Receptions of Myth Ruth MacDonald (Royal Holloway) – Re-Thinking Helen and Rape Culture in Elizabeth Cook’s Achilles Alessandra Abbattista (Roehampton) – Animal Passions: Homeric Temper and Tragic Paradox in Kleist’s Penthesilea
Tragedy, Transgression and Sexuality Alana Newman (Edinburgh) - Identifying with the Beast: Interpreting a Hellenistic Symplegma with Feminist Film Theory Maurizio Busca (Turin) - Reconceiving Ovid's Ariadne: Thomas Corneille’s Translation and Dramatisation of Ariadne Theseo (Heroides, X) Jane Maxwell (King’s College London) Faking it: Identity and Narrative in Pseudo-Ovid's de Vetula
Violence and Enslavement Luke Richardson (University College London) – Camus’ Sisyphus: Towards a mythology of the metaphysical Alicia Livingstone (Oxford) –The Reception of Violence or The Violence of Reception? The Minotaur in Picasso’s Vollard Suite Jessica Wright (Princeton) – Gutting the Pig: Slavery in the Satyricon and the Invisible Man
Day 2: Friday 6th December Translation and Antiquarianism in the Renaissance Elena Nicoli (Radboud University Nijmegen) - The Alternating Fortune of a Dangerous Work: The First Renaissance Reactions to Lucretius’ De rerum natura Mike Waters (University College London) – Lewis Theobald (1688-1744): Editor of Shakespeare, Translator of Sophocles Floris Verhaart (Oxford) - Translating the Classics in a Seventeenth-Century French Classroom: The Position of the Vernacular in the Jesuit Ratio Studiorum and in the Educational Works of Antoine Arnauld (1612-1694), Claude Lancelot (1615-1695), Louis Thomassin (1619-1645) and Joseph de Jouvancy (1643-1719) Federico Ugolini (King's College London) – Roman Harbours in the Northern and Central Adriatic Sea: Forme, Shape and Role. A Topographical Introspection in View of the Representation and the Reality of the Ports as was Perceived in Antiquity and in the Modern Period
Caesar, Tyrants and the Late Republic Priscilla Del Cima (Exeter) – Republican, Tyrant, Reprobate, God: Ideas of Sulla in Film and Literature Flavio Sanza (Swansea) – Caesar and Shakespeare, from History to Theatre Paul Dean (Exeter) – ‘What have the Romans ever done for us?’ Learning from History in Fallout: New Vegas Shaun Mudd (Exeter) – From Reclined Aristocrats to Rowdy Plebs: Roman Drunks in Modern Popular Culture
Classics in Modern Media: Alexander and Ireland Guen Taietti (Liverpool) – The Polysemy of Alexander the Great in Angelopoulos' Megalexandros Christian Djurslev (Exeter) – The Metal King: Alexander the Great in Heavy Metal Music Joseph Walsh (Dublin) – The Political Oedipus: The Anglo-Irish Race to Stage the Oedipus Tyrannus Julia Scarborough (Harvard) – ‘Beyond Eclogue and Translation': Heaney's Virgilian Pastoral
Novels, Authors and Adaptation Iarla Manny (The Open University/ Oxford) - Trials and Tragedies: The Case of Oscar Wilde Paola D’Andrea (Oxford) – A Voice for the Marginalised: Apuleius on Stage between Gender and Ethnicity Claire Rachel Jackson (Cambridge) – Fictional Histories: The Reception of Fiction in the Ancient Novel Cecilie Flugt (Copenhagen) – Changing the Text – Translations of Classical References from Neo-Latin to English and German in the 18th and 19th Century
Receiving Euripides Justyna Biernat (Jagiellonian University) – Languages of Mourning: Between Page and (Modern) Stage Manuel Caballero González (Munich) – Athamas’ Myth in the Spanish and Italian Eighteenth Century: Comella’s and Niccolini’s Tragedies Efstathia Athanasopoulou (Patras) – Alcestis Re-invented in Ghana: Efua Sutherland's Edufa
Greek Ethnicity and Identity Photis Loizou (Royal Holloway) – Reshaping a Nation: The Reception of Classics in British Colonial Cyprus and its Effect on Ethnic Identity Marina Lambrakis (Oxford) – (Re)Writing Experience: George Seferis’ Archaeological Poems John Harvey (Roehampton) - C. P. Cavafy and Religion